facilities are generally equipped to meet the
needs of command briefings and presentations
to a wide variety of audiences. When a presenta-
tion room lends itself to different types of
presentations, one of three styles of furniture
arrangements will usually be employed. These
styles are theater style (chairs only), combination
of chairs and tables, and an arrangement of
tables only.
THEATER STYLE (CHAIRS ONLY).
Some presentations and briefings employ a
chairs-only arrangement. In such cases the chairs
are arranged in rows much like a movie theater
seating arrangement. In some presentation
facilities, the chairs may be fixed to the floor
facing the screen.
Seating capacity can be
increased through the use of folding chairs. Pro-
jected material presented in this type of room
may come from a projection booth behind the
screen. The booth is physically separated from
the presentation room by a wall and rear projec-
tion screen.
A chairs-only arrangement offers advantages
as well as disadvantages. The chairs are firmly
attached to the floor, eliminating any possibility
of using another arrangement style. A theater-
style arrangement with portable chairs makes the
rapid conversion to another style possible, if
needed.
When arranging a room with portable chairs,
the first row of chairs should not be placed too
close to the screen; enough space should be left
between the rows to provide leg room for the
audience. Wide aisles should be left to take care
of traffic.
TABLES AND CHAIRS.Some official
military presentations are attended by personnel
of different levels of authority. Sometimes per-
sonnel of higher echelons are seated around
tables, while the personnel of lower echelons are
seated in chairs arranged in theater style. The
tables and the lectern are arranged in front of
the room; that is, nearer the screen. The chairs
in which those of lower echelons will sit are
arranged behind the tables. Additional chairs
can be placed on either side of the table to take
care of a larger number of people.
TABLES ONLY.At top level presenta-
tions, attended by a few high ranking individ-
uals, a tables-only arrangement may be appro-
priate. The table should be long enough to
seat people conveniently along the side. Another
feature of the table arrangement is that everyone
seated at the table has a clear view of the projec-
tion screen, if one is utilized.
Audience Comfort
Regardless of how good a speaker is or how
interesting the presentation may be, people in
the audience will have difficulty paying attention
for a long period of time unless they are com-
fortable. It is the responsibility of the RP to
make the audience as comfortable as possible
during the presentation. Some of these condi-
tions may, however, be beyond the control of
the RP.
Physical comfort is a necessity if the
audience is to concentrate on a presentation.
Nothing will distract a person more completely
than a constant feeling that Its too cold to
think; Its so hot I cannot concentrate;
The room is so stuffy that I am drowsy; The
light is so glaring it hurts my eyes; The light is
so poor I cannot see; Its so noisy I cannot
hear. The members of the audience may not
express these sentiments to the speaker, but they
will certainly discuss them among themselves.
These are legitimate complaints that deserve
attention. The comfort of the people who attend
the presentation should be considered and steps
taken to make them more comfortable wherever
and whenever possible.
Special attention should be paid to the
lighting and temperature. Controlling these con-
ditions in most presentation facilities actually
poses very few problems. With such built-in con-
veniences as thermostats for temperature, air-
conditioning, and controllable lighting, the RP
will have to do no more than turn a knob on a
light dimmer, set the thermostat to control the
temperature, or turn on the air-conditioning to
make the room comfortable. However, rooms
with windows and without air-conditioning
require a little more initiative.
Lighting should be adequately controlled.
Naturally the type of presentation influences, to
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